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Konstantin Wecker (right) Photo: Sebastian Willnow
Artist View:
Konstantine Wecker
"Brilliant! There is this characteristic Blüthner tone that I recognize again immidiately."
Thursday, March 21, 2013 - Leipzig: The renowned German songwriter reconnected with his childhood love for the Blüthner tone during a special factory tour before performing on a Blüthner at the famous Leipzig Gewandhaus Friday night. The visit from famed songwriter Konstantin Wecker was both an honor and a pleasure for the house of Blüthner. It came about at the request of Mr. Wecker himself, who had grown up with a Blüthner instrument. "Fifty years ago, my mother bought a Blüthner. In order to get together the money, she cleaned houses. That is something from her that I have never forgotten," explained Wecker to the brothers, Christian and Knut Blüthner-Haessler.
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Wir freuen uns auf Ihren Besuch an unserem Stand auf der diesjährigen Musikmesse in Frankfurt. |

Blüthner Classics presents
Martha Agerich & Mauricio Vallina
This extraordinary duo will be performing on Sept. 3, 2013 8:00 p.m. at the Leipzig Gewandhaus. The program includes works by Mozart, Busoni, Rachmaninoff, R. Schumann, Liszt and Lutoslavski. For more information and ticket purchase, please visit the official website here.
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Blüthner Piano Competition
The Golden Tone Award
This year's winner of the 2013 Blüthner International Piano Competition in Vienna, Austria and the prize Blüthner Model 10 concert grand has been announced. Congratulations to Anna Ulaieva, the winner, and to all participants for an excellent competition this year!
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"Von Leipzig nach London"
Ingbert Blüthner-Haessler promovierte im Juni 2012 über das Thema „Die Geschichte des Leipziger Pianofortebaus in der Zeit von 1850 bis 1914". Die Veröffentlichte Dissertation mit dem Titel „ Von Leipzig nach London“ erschien beim Franz Steiner Verlag.
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Gramaphone Critic's Choice Award
Jean Muller: Chopin Recital
The newest CD release from Blüthner Artist Jean Muller won Gramophone's Critic's Choice Award, and an excellent review from Gramophone's top critic Bryce Morrison.
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